Why are there so few black dancers in classical ballet?
In the world of classical ballet, black dancers are conspicuous by their absence. Eric Underwood, a former soloist with The Royal Ballet, wants to understand what might be restricting their participation.
In Amsterdam, Eric meets Michaela DePrince, born in Sierra Leone and now performing as a soloist for the Dutch National Ballet.
Misty Copeland, who became the first African American female principal dancer for the prestigious American Ballet Theatre, asks if ballet classes provide a safe space for black children.
In Chicago, Homer Bryant, The Ballet Disruptor, is fusing classical point technique with hip hop, and believes that Hiplet can help a 350-year-old artform find new audiences.
In London, Cassa Pancho and Cira Robinson from Ballet Black share their experiences of providing role models for aspiring black dancers.